Monday, July 9, 2012

Writing the Long Synopsis

We don't usually think about writing a long synopsis (about five pages). If asked for materials by an agent after pitching to them, we typically send a query letter, a short synopsis (one page), and the first two or three chapters of the novel (or sometimes the full ms.).

But if you are submitting materials to a publishing house, whether through your agent or on your own, you will probably be asked for a long synopsis. They need to see how the whole story plays out before they decide whether it's something they can run with.

And here's a secret: you need to write a long synopsis even if you don't intend to ever submit to a traditional publisher. Why? Because the end result will tell you whether your novel did its job. How? It forces you to be very clear about what's in your book, and when you've finished you will know if the story works from beginning to end, where its storyline weaknesses are, and what you need to do to fix them. Your key points need to track and connect from beginning to end and be compelling to someone unfamiliar with your book. Putting that on the page makes it easier for you to see the story from that unfamiliar someone's eyes.

Anyone who's tried to write a synopsis of any length knows how hard it is. I've heard best selling authors state flatly that it's harder to write a synopsis than it is to write a novel, and if you know someone who's read your manuscript, ask them to do it for you. (If only!!)

While a synopsis is not a blurb, you still have to give it a little zing. It needs to be somewhat compelling, even though the plot, not language, is its main focus. You have to tell the story, not write an outline.

I recently came across a great point-by-point for writing a long synopsis. It incorporates the six main points in any novel (inciting incident, first major plot point, character turning point at book's midpoint, second major plot point, climax, and end), plus transitional sections between them, into a total of nine items to be included. Below are the nine points with my descriptions of them added.

Long Synopsis 

  • The Hook: a compelling statement of the inciting incident (the thing/event that turns the protagonist's world upside down and sets the story in irrevocable motion. The inciting incident usually happens within the first twenty pages of the book, with some exceptions in literary and experimental literature).
  • Set Up: what the characters are up to, how they settle into their new reality after the inciting incident. Here you have the opportunity to give some flavor of characterizations in reactions/behaviors.
  • Major Plot Point 1: something key to moving the story forward that happens once the protagonist is well-established (typically the plot point is unexpected/unwanted events, or behaviors of others).
  • Response: how the protagonist and other prime characters react to what happened in Plot Point 1. This, in turn, sets up . . .
  • Midpoint/Major Character Turning Point: around the midpoint of the novel, the protagonist's defenses against the problematic action of the story are bridged somehow, and s/he sees the situation in a different light and changes his/her attitude and behavior to reflect the new understanding. The synopsis presents this by showing the decision/changed behavior of the protagonist.
  • Attack: what the protagonist and other characters do after the turning point to take on the issues they are confronted by, and to assert themselves within the plot. This typically involves working toward a resolution of the primary problem of the plot. Before they get to the resolution, though, another big thing happens. This is . . .
  • Major Plot Point 2: a new development or intrusion of a major new but related element in the storyline that compels reaction and moves the story forward, perhaps in a surprising direction, and definitely at a faster pace.
  • Resolution/Climax: key points after Plot Point 2 that show the protagonist making a choice that is like entering the river of no return to follow through with his/her resolution, so that the climax becomes inevitable; and the primary action of the climax.
  • End/Denouement: the wrap up—should feel inevitable, and if it's really good, will also be surprising
 I've found this approach to be a huge help in writing a long synopsis. Hope you do, too!

12 comments:

  1. Oh, these are great points. I HATE writing a short synopsis, but your point that one should write a long one is valid. I'll definitely keep these in mind when writing mine. So far, I've only done short.

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    1. Believe it or not, Em, I find the long synopsis at least as hard as the short one. Go figure! But yes, you will be so glad you did it.

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  2. Ah my nemesis, the synopsis. *shudders* Though I hate writing them I couldn't agree more. They are fantastic tools for pointing out any flaws that may lie within our manuscripts. Great advice!

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    1. Heather, you write fantasy/paranormal. . .I think you just came up with a great idea for a comic novel written for writers, with the antagonist being some hideous hairy beast named Synopsis. Sounds kinda like Charbydis, doesn't it?

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  3. My, is there anyone out there who doesn't hate writing synopses? Still, this is super helpful and I'll remember this the next time I have to write one. *shudders*

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    1. Lydia, if there IS anyone out there who likes writing synopses, they could seriously get rich doing it for other writers. Let them come forward and start a business!! I know a few people who'd sign up.

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  4. Thank you Linda! How did I know you needed this right now. I cut and pasted and will keep on my desk. These are excellent points and I'm off to tell your date... Kathy. She's getting ready for her first conference.
    With that said, will you write a post on Friday on "How to" Pitch? Then when she comes to town, we can help her practice the pitch. :) If you're around we can do a Wednesday night dinner and pitch session. Not to be confused with a bitch session. Thanks for a great post!

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    1. I'm out of town Weds nite, dang it! Visiting my son. But my Friday post is open . . . I'll see if I can put together a decent post on pitching. Kathy will do great at the conference (is the YA/children's one?)

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  5. Darn. I needed a date for Wednesday night...my treat!! No, LInda, it's the Pacific NW Writer's Conference and the pitch is for my adult fiction book.

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    1. Oh no, I wish I could. PNWA--awesome! You will do great Kathy. It's a wonderful conference, and I know you'll find some terrific agents/editors there to talk to who will be interested in your book. Good luck, and above all, have fun!

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  6. Thanks for the good advice. I'm sure we can all benefit from this.

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    1. Thanks, Dale. I've found writers (like James Scott Bell, and bloggers!) are incredibly generous with tips and ideas. Love this community.

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