Ondine: The Summer Of Shambles Winners

Thank you so much to everyone who participated in the contest and who helped support Ebony McKenna. Your kindness has not gone unnoticed by this fantastic author. She was so touched by your response that she agreed to throw in two more copies of her book to bring out total amount of winners up to three! We'd like to welcome all of our new followers and we hope you'll stick around. We have big plans for next month with some fabulous debut authors that you won't want to miss. The winners of Ondine: Summer Of Shambles are:

Hannah Mariska  (Paperback)

Sophia The Writer (Ebook)

Aik (Ebook)

Hannah and Aik have been notified via email, Sophia if you could leave a comment on Heather's Odyssey with your email address, she'll contact you and get your mailing address. Her blog comments are monitored so they aren't published automatically (ours are though so don't leave it here!). That way she can get your info and just delete the comment without publishing it. 

Sometimes You Just Get Lucky: Week 10 with Tarot's Fool

It's time for The Fool to come out of hiding, back to the world he left behind last week when he found a tiny cabin in the deep woods and holed up. There, he became The Hermit and rested and thought by day, then wandered the land by night, shining his lantern into the darkness to search for knowledge, meaning, and self. (Post 8, The Hermit. Previous posts in this series are listed at the bottom of this entry.)

He comes into the sunlight now as if being pulled up from the dark, from a low point on a wheel. He squints and shields his eyes from the bright sun. With his newfound knowledge he knows better than to expect anything, but he still has the Hermit's staff, and with that in hand he walks bravely, if slowly, back into the world. (He's thinking about some of those nice things some agents said to him about his writing, even though they rejected his novel a couple of weeks ago.) He steps back onto his path, then feels a pull to look back to see where he just came from. There, standing in the muddied forest, is a great wheel, turning clockwise and festooned with figures and beasts that rise and fall with its rotations. He realizes with a start and with wonder that the wheel did, in fact, just deposit him back on his path.

This is The Wheel of Fortune. Strangely, as The Fool continues on his path throughout the day, good things begin to happen. When he goes past a water wheel, a young woman standing there hands him a drink of water in a golden chalice, then urges him to keep the chalice because she likes him. (He goes to a workshop and gets excellent constructive feedback on his opening chapters, and two of the people there who he likes best ask him if he'd like to be part of a critique group with them!)

Then he sees a young man standing near a windmill, swinging a sword. He stops to watch him, cheered by the sight, sharing in the joy of the young man's energy and skill. "Here," the young man says, handing him the sword. "You take it. I can see you're ready for it." (Encouraged by his writing friends, he polishes those first chapters, and sends off a small batch of queries.) 

Finally, as he treks along carrying his sword and chalice, he sees a rich merchant in a wagon on the side of the path. The merchant is sitting directly over one of the wagon's wheels. "You look like a fine seeker," the merchant says as The Fool nears him. He reaches down to the wagon bed and pulls out a bag of money, which he holds out to The Fool.

"What is this?" The Fool asks, afraid to reach for the bag and wondering who this odd man can be.

The merchant smiles, a genuine smile of good will, and explains that he likes to give away money. "Today, you're the lucky recipient." (Two of the agents he queried asked for partials, and another one, a great one, asked for the full!)


Sometimes you just get lucky, The Fool realizes. (He personally knows other writers who queried the same agents, and he knows that their work is wonderful. But none of them got a positive response. Only he did!) He didn't spend all that time wandering in the dark as The Hermit without learning to look beneath the surface, though. And he realizes that the way he walked toward the merchant on the path, with a bounce in his step, and the profound pleasure in his heart showing, was exactly what the merchant was waiting for. (His queries were polished and professional, and those agents who asked for more recognized not only quality in writing, but a story they could sell. One they've been looking for.) 


He moves on down the path, then pauses to consider where he is in his journey. He has come far, he realizes, and has far to go. As he hoists the pack on his back to a more comfortable position, he reflects on the fact that today he has received the gifts of chalice, sword, and money, and that he brought The Hermit's staff back into the world with him. These items are exactly the same as the belongings in his pack that were revealed to him at the beginning of his journey by The Magician (Week 2, see link below). Chalice (cup); sword (sword); money (discs, pentacles); staff (wand). He thought he'd used them up and his luck had gone, until today. They are all he needs to be whoever he wants and achieve his most cherished goals.

Luck, fate? He knows it's a different journey than he expected. Yup, sometimes you just get lucky.

~Linda


Links to Fool's Journey posts:  0—The Fool; 1—The Magician; 2—The High Priestess; 3—The Empress; 4&5—The Emperor, and The Hierophant; 6—The Lovers; 7—The Chariot; 8—Strength; 9—The Hermit

My interpretation of The Fool's Journey as it applies to the writing life is my own, but the journey is long established in a variety of sources. Those I've drawn on most heavily are TAROT BASICS by Burger & Fiebig, AECLECTIC TAROT by Thirteen, and EVERYDAY TAROT  by Fairfield 

First Page Contest at Shelley Watters' Blog: My Entry

Hey, all, today's the day everyone participating in Shelley Watters' first page contest needs to post their entry. If you write YA, Middle Grade, memoir, pop-culture non-fiction, or women's commercial fiction you can participate. Post your first 250 words on your blog, hop around to other participants' blogs and offer critiques on their work today and tomorrow (25th and 26th), then post your final version of your first page on Shelley's blog on Monday, the 27th. Winner gets a full manuscript request from literary agent Victoria Marini. Check out Shelley's blog for all the rules and info.

Good luck to everyone.

Here's my entry:

TITLE: AND WHEN I DIE

GENRE: Commercial women's fiction/women's suspense

WORD COUNT: 83,000

FIRST 250 WORDS:

A shadow breezed past my left elbow in the form of a dark suit. The way it moved was familiar. Blood-chilling. I'd seen it flicker behind me as I explored London the past three days. I was in a Mediterranean restaurant in Shepherd Market, shoes kicked off under the table, sipping a glass of sharp red wine and perusing a city map. The edge of the suit jacket brushed against my arm as the man wearing it strode fluidly toward an alcove seating area ahead, his back to me all the way.

Whatever that inner sensor of danger is that we have, mine started screaming. What seemed like subtle menace yesterday expanded into certainty in an instant. I fumbled for cash in my purse, thrust my feet into their shoes and slid out from behind the table. I tossed a ten pound note onto the white linen cloth, dropped the London map over it, and was out the door, gone before the man had a chance to sit down and miss me.

For a few seconds, standing there on the sidewalk, I couldn't think or get my bearings. Dusk was settling in and everything looked different. I prayed he'd think I'd gone to the Ladies as he gazed across the room at my map keeping a lonely vigil next to a half-empty wine glass. Then it clicked. A couple of blocks away was a main thoroughfare. The kind that the big red doubledeckers ran on. If I could get there and jump on a bus before he spotted me, he'd never find me.

~Linda
p.s. just scroll down to find CSC's regular Friday blog post by Karlene

Follow Your Dreams

Midnight in Paris

                                      The movie

There are some days when I don’t get any writing done, and Wednesday was one of those days when my husband was off work and we took in an afternoon movie: Midnight in Paris

When goofing off with your spouse a movie is the best place to go. Structure. Character. Setting. Dialogue. Story. I always learn something from every movie I see. It’s amazing how the format of the script follows that of writing. And this Woody Allen film was definitely written for authors, or anyone wanting to be an author. It also held a deeper meaning...

Follow your dreams and don’t sell out for easy because it’s profitable. As the author of Midnight in Paris (I feel safe to say) Woody Allen believes that writing a novel is far more difficult than script writing. Woody Allen's heart spoke volumes in this fun and insightful movie. I also believe his dream had always been to write a novel.

Then the humor, that all writers can appreciate, is embedded throughout—Owen Wilson asks Hemmingway if would read his novel. Hemmingway’s reply: “No. I won’t read it because I’ll hate it. I’ll either hate it because the writing is bad, or I’ll hate it because it’s good and I’ll be jealous. Writers can never critique another writer’s work because we’re all in competition.” 

Times have certainly changed from the 1920’s to today. But the art of story has not, or the dream of writers to runaway to Paris and write.

If you met Hemmingway, F. Scott Fitzgerald, or T.S. Eliot, what would you ask them? Better yet, how would they respond to that question?

Enjoy the Journey.

~ Karlene

Giving Your Manuscript That Edge

Whether you want to polish your manuscript to a high sheen before submission, or want to raise it to another level before self-publishing, a freelance editor can make the difference between failure and success. The market is more competitive than it has ever been and to stand out your work has to be the very best it can be.

When I decided to go with Abbott Press instead of a traditional publisher I knew I wanted to use a freelance editor to give my manuscript that edge. It isn't cheep but if you want to make a career out of writing rather than just throw your work out there to see if it sticks, then it's a good idea. Even if you have an English degree it can't hurt to have that extra set of professional eyes on your work. We are too close to our work to be the sole editor of it.

But with all the options out there where do you turn? It seems like everyone and their cat are offering editing services now days. While my cat has pretty discerning tastes, she should not be editing anyone's work. The best advice I can give you on choosing an editor is to do your research and get recommendations. Different editors will take on different projects, charge different rates, and take differing amounts of time to complete the work. Ask a lot of questions, and don't be afraid to ask for a small sample of their editing.

I won't let you go without a few recommendations. The first is the Second Draft service through Writer's Digest. They offer many different services and levels of editing. The next is one of my blogging friends, agent intern and freelance editor Cassandra (C.A.) Marshall. Who wouldn't want an agent intern editing their work right?! And Cassandra is a sweet person who also does cover design. So if you need a cover be sure to check her out for that too. The last is my good friend, and co-moderator of the #WritersRoad Twitter chat, Tee (TS) Tate. Tee received a Master of Arts in English and is an amazing writer to boot. There are a lot more great freelance editors out there. All you have to do is ask around. 

Recommended by friends of mine: Sarah Billington does both fiction and non-fiction, and Christine Hollingsworth who is both a pilot and a freelance editor. 

Do You Trust Your Instincts? Week 9 with Tarot's Fool

The Fool has been resting since his startling meeting with Strength, a young and innocent maiden who showed him the importance of using his will power for higher purposes. (Week 8 post. Links to previous posts in this series are at the end of this entry.) Will power, yes. He knew that, but every fiber in his body was calling for using that will power not for higher purposes, but for bold action against enemies and obstacles. (He wanted to attack, to somehow overcome agents' infuriating unwillingness to see the wonderfulness of his novel. He's revised, he's carefully picked agents who say they're interested in his genre—although he's seriously doubting their honesty at this point—and still he's getting rejections. True, the rejections aren't the form ones any more; agents are actually asking for partials and writing to him with specific issues, and even some praise. But that's not good enough!)  Nothing he's done so far has worked to get him a foothold with the gatekeepers to his goal (a good agent to sign him), and he's exhausted.

Trying to get a handle on that whole 'higher purpose' thing is depressing him, too, even though he thought he could do it when he was in Strength's presence. There's no question that he's a good person (and a good writer!). He really is. But there is seemingly no end to obstacles. And now instead of fighting back he's supposed to elevate his emotions to higher purpose?

This is how he feels. Like he's in a sarcophagus with his own image on top, his sword stuck to the side of the coffin, and three more swords hanging over him, pointing at him! 

The picture is misleading, though. The Fool realizes this when he notices that he's starting to feel better. He isn't entombed; he is being given the gift of deep rest that supports an active deep mind.

The Fool relaxes, and lets his deep mind do its work on the vital subject Strength suggested to him: how to use his energy for higher purposes. How to dig deep within himself and make his true mettle manifest, not just for all to see, but for him to embrace as his own.

Talk about a challenge! To achieve higher purpose requires not only giving up youthful, superficial ambitions, but engaging in introspection, searching, and solitude, as well as seeking guidance. (With a painful loosening of his grip, The Fool lets go of his lust for recognition, approval, and material success, and turns his heart to the quest for true greatness through humility and understanding of loss, love, joy, pain, hope. This, in turn, will allow him to write a beautiful novel.)  For this he must transform himself into The Hermit.

In a cabin deep in the woods The Hermit (previously known as The Fool) hides. He reads, cleans, organizes and just plain rests. (There are brilliant books he's never taken the time to read before. And the writing! It's incredible. He slashes his own manuscript's extraneous prose and spends weeks crafting succinct, deft phrasing. He cuts his word count from 110,000 to 85,000. Whew!) But that's all during the day.

At night, every night, he ventures out into the dark, and walks for miles and miles, carrying only a staff and a lantern. He's searching, and he's finding the things he's missed. Things about himself and the world. He's thinking deeply about these things. Whenever he stumbles, his staff rights him. (It's not just about strong plot lines and deft phrasing, it's about knowing who you are; it's about the love and pain from within, and the strength to know and express that.)  Whenever he feels lost, he holds the lantern up in front of him and trusts it to light the way. (He goes still and quiet and waits for illumination, which he knows will come.) The staff is his strength. The lantern is his instinct, the pilot light of his soul. It will not guide him wrong.

Although he will soon step back into the world again as The Fool, he will never again display the trappings of youthful naiveté. The light from the lantern has allowed him to see and deal with the contradictions that surround him. No longer will irresponsibility, dependency, incompetence, or even innocence be acceptable to The Fool as part of his own behavior. At the same time he will not shun love and joy; he will not be cynical. He has become a person who solves the problem in front of him (he's honest with himself about those agent comments, and figures out how to discern the good ones and make his story stronger through their guidance). He has become someone who finishes the task without sweeping anything under the rug, no matter what the task is. This is huge—far greater than he realizes at this moment.

He's about to get a taste of what it means to let go of need, and in return be given abundance. Come back next week to find out what happens when The Fool comes upon The Wheel of Fortune.

~Linda


Links to Fool's Journey posts:  0—The Fool; 1—The Magician; 2—The High Priestess; 3—The Empress; 4&5—The Emperor, and The Hierophant; 6—The Lovers; 7—The Chariot; 8—Strength 



My interpretation of The Fool's Journey as it applies to the writing life is my own, but the journey is long-established from a variety of sources. Those I've relied on most heavily are:  TAROT BASICS by Burger & Fiebig, AECLECTIC TAROT by Thirteen, and EVERYDAY TAROT by Fairfield

Exciting Writing News!

Congratulations to the 2011 PNWA Literary Contest Finalists!

What an incredible honor this is— and the Critique Sisters would like to congratulate all finalists. If you recognize a name on the list below, please let them know we are honoring their great achievement.

Winners will be announced at the summer conference in Seattle Washington, August 4-7, 2011.

I am honored to be among these finalists with my Aviation Thriller, Flight For Control. I’ve had incredible support along the way, and I'm now knocking on the door to publication. Thank you all for your help, and encouragement.

More exciting news: 

Yesterday I pushed the send button, and Flight For Control is on its way to Loretta Barrett, of  Loretta Barrett Books Inc Literary Agency. 

Loretta has been waiting patiently for my rewrite. She said, “Take your time, we both want it perfect.” And perfect it is thanks to hiring Christine Hollingsworth to do my final edit. We all know that it’s impossible to see your own mistakes—we’re just too close. Christine, The Novel Mechanic, has the tools that found and fixed all my mistakes and she provided great insight and suggestions ... at an affordable price! 

I’m excited to be on this road to publication, since I spend most of the time in the sky. Seriously, I think it takes a team to publish a novel. 

Thank You Everyone! 

and

Congratulations Finalists!

Mainstream              Sci-Fi/Fantasy/Horror          Poetry        

Michael Moore          Charis Himeda                        Marjorie Manwaring

Marina Osipova         Ruth Godwin                          Cynthia Monroe        

Jim Satterfield           Bill McLaughlin                      Crystal Liston        

Jim McMaster           Alan Philipson                         James E. Lalonde

Brian Bek                  Jarlath Hume                           Betty Shafer

Art Edwards              Kate Swenson                          Sharron Singleton

Steve Jaquith             Jennifer Gallion                       Kellie Purce Barseth

Mark Figlozzi            Ethan Johnson                         Gerald Carlin

                                   Sherry Brummel

Historical                     Young Adult                           Short Story

Brian Overland              Cynthia Monroe                     Phyllis Hollenbeck

Mark Figlozzi                Marcy McKay                        Sharon Goldberg

Leanne Farrell                Karen McHegg                      Kara Pomeroy

Jim Satterfield                Donna Matney                       Rebecca Olmstead

Kathleen Wolgemuth     Suzanne Kaufman Kalb         Gail Kretchmer

Mildred J. Hardy            Jodine Turner                         Kellie Purce Braseth

David J. Hardy               Stephanie Tatalias                  Elizabeth De Matteo

Britton Steel                   Dawn Simon                           Rebecca Macintyre

David Jessup                  Christine Myers

Jim Beirne

Romance                          Nonfiction/Memoir       Children’s/Middle Grade

Nina Gettler                      Janiece Hopper                 Heather Harris-Brady

Jocelyn Adams                  David Gardner                 Phyllis Hollenbeck

Marni Donnelly-Folsom    Teri Fink                          Paul Greci

Celeste Deveney                Robin Dake                      Kimberly Dana

Jacki Delecki                     Elaine G. Jordan               Mary Koch

Tara Sheets                        Constance Hanstedt          Lynne Walker

Tamsen Shcultz                 T.J. Bennett                       Kara Pomeroy

Naomi Baltuck                  Robert Grant Byington      Gina Ochsner

Kathleen Cherry

Mystery/Thriller               Screenwriting                       Adult Short Topics

Nicholas J. Delmedico       Matt Gavin & Lynn Piper       Lori Heagler

Devin Morton                     Randy R. LaBarge                  Erika R. Giles

Daniel J. Waters                  Christopher King                    Kathy Krause

Karlene Petitt                      Gail L. Jenner                         Susan Szafir

Christina Patchell                Anthony Seed                         Kathryn L. Schipper

Michael Munro                    John O’Riley                          Mark Nassutti

Guy Bergstrom                    Peter Bacho                             Karen Veit Murphy

C.M. Busse                          John Bengel                            Claire Carey

Enjoy the Journey!

~ Karlene